My Street Kit: What I Carry and Why
- Ian Miller
- Aug 6
- 2 min read
A Practice of Presence, Not Performance
Street photography isn’t just about gear. It’s about rhythm. Trust. The ability to disappear into the moment while staying fully present. Over the years, I’ve refined my kit—not toward perfection, but toward enoughness. What I carry reflects how I choose to see.

🎒 The Core Setup
📷 Fuji X-Pro2
Rangefinder-style body that encourages anticipation and restraint
Hybrid viewfinder lets me choose between optical and electronic seeing
Compact, discreet, and tactile—perfect for presence-driven shooting
🔍 XF 35mm f/2 WR
50mm equivalent field of view—natural, versatile, and emotionally honest
Weather-sealed, fast, and silent
Sharp enough for detail, gentle enough for mood
This combo is my go-to for street work. It doesn’t shout. It listens.

🧱 Alternate Setup
📷 Nikon D700
Full-frame DSLR with tonal depth and a shutter that feels like commitment
Built like a tank, but still intuitive in hand
🔍 Nikkor 50mm f/1.4D
Fast, compact, and beautifully imperfect
Slight bloom wide open, with rendering that feels like memory
I reach for this when I want a different rhythm—slower, heavier, more deliberate.

🧰 Supporting Tools
Extra batteries: Always two, charged and rotated
Lens cloth: Not just for optics, but for ritual—cleaning as a moment of pause
Small notebook: To jot down names, moments, thoughts that don’t belong in the frame
Shoulder bag: Worn close, not bulky. Gear should never dominate the encounter.

🧠 What I Leave Out
Zoom lenses: Mostly I prefer the discipline of a single focal length
Flash: I rely on ambient light and timing
Gimbals, rigs, excess tech: Street work is about presence, not production
🤖 A Note on AI
I don’t carry AI tools in the field. Not because I reject them entirely, but because street photography is about being there. AI can simulate light, gesture, even emotion—but it can’t build trust. It can’t wait. It can’t listen.
In post-processing, I use tools that respect the integrity of the moment. No sky replacements. No synthetic drama. Just tonal refinement and restraint.
✍️ Closing Thought
My kit isn’t perfect. It’s personal. It reflects a philosophy of enoughness, of ethical seeing, of choosing gear that disappears in the hand and lets the world speak.
Because in street photography, what you carry matters. But how you carry yourself matters more.
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